That really comes out because there are the scenes where it's the men are talking and Mrs. Women are very different in the '50s than they were in the '70s, than they are now, so I watched it to try to get a handle on that. So I did look at those and mainly, I was just trying to get more of a handle of how women were during that period. And inevitably, there is a scene in every single one of those sitcoms where the boss comes to dinner, oddly enough and once in a while, there's the wife. RUPP: No, not characters, but I did watch a lot of different black-and-white shows. Were there specific characters from sitcoms of that era that you were looking at for inspiration? So there's a very specific era that you're invoking in Episode 1. They got on board and everything, but in the beginning, it was like, "Ooh, ooh." I can only imagine what they were thinking, which made me laugh. They came to see a superhero Marvel show, and then got this. The difference was the reaction from the audience because the audience, they're Marvel people. They set it up so that it was, we had a week's rehearsal like you do for a sitcom. RUPP: It was very similar, absolutely similar. It's been really lovely for me, actually.įor the first episode, I know they shot it in front of a live studio audience, but how closely did the actual experience of shooting it mirror your past experience doing multi-cam? Well, it's all ages I guess, but it's a lot of younger people that I've missed and so it's been really nice. RUPP: Well, my nephew will keep speaking to me, but it's the most attention I've had in I don't even know, and it's like younger people. And then my great-nephew said, "Aunt Debbie, if you don't take this job, I will never speak to you again." So it all came together and man oh man, I am so happy I did.īecause your great-nephew will keep speaking to you? So he knew me from that and he called and he said, "I have a request." And then he tried to explain it to me and I understood nothing of what he said. I get a lot of energy from an audience and I had just worked at 's theater in LA, the Geffen Playhouse. I come from theater, I like a live audience. RUPP: I got a call from the director who knew me - I've been doing a lot of theater. What was that process like, of being hired? That was kind of great, and I think it was partly why I was hired. It made me feel safe - right out of the gate, I felt safe in the genre of it. So it was good for me because I felt very rooted, so there was something I had a handle on. ![]() Hart's name, and hints that we might see her character again down the line.ĬOLLIDER: So to start off, what it was like coming on to this project and being, of the actors, the one with the most sitcom experience under your belt?ĭEBRA JO RUPP: Well, that part was lovely because I was also the oldest person there, I think. She also agrees with me about why we never learn Mrs. Below, Rupp explains how she got asked to join the cast, why she had such a fun time on set, what it was like filming in front of an audience that didn't exactly know what they were in for, and how they filmed the first episode's big dramatic shift.
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